“The best rom-coms, the ones that really last and resonate, feel honest,” Samberg told the Los Angeles Times. Yet for all its clever contortions, there’s surprisingly little that’s genuinely weird, though it’s not for want of suggestion. That it’s so breezy is part of the charm – there’s little of the deadly, Charlie Kaufman-esque solipsism that could befall the idea. Their double act adds ripples to the more obvious pay-offs suggested by the premise, and it’s a credit to Siara’s script that he’s able to keep the audience guessing with enough original twists – including a winning supporting turn from the great JK Simmons, reliably antagonistic as Roy, an aggrieved wedding guest with a similar predicament and an arsenal of deadly weapons to grind. “If I had known that I was going to be stuck with a pretentious sad boy for the rest of eternity,” Sarah screams at Nyles at one point, “I would have stayed so far away from you.” His low-key goofiness and her high-strung mania make for a screwball match, and it’s fun to watch his ageing Lonely Island shtick get challenged by a foil who wants out, who’s convinced that – however much the laws of space and time might need to be challenged – there’s still the possibility for growth and change. Meredith Hagner played a similarly unlikeable character in the TV series Search Party.Photo: Amazon Prime Video Sure enough, these two outcasts develop a fast friendship, and many of Palm Springs‘ funniest sequences involve them bonding over attempts to cheat time and death, before finally giving in and enjoying their predicament – which more or less amounts to playing a lot of pranks on the wedding guests, and dumb-dancing to synth-pop pioneer Patrick Crowley’s Megatron Man in a local dive bar. “We kind of have no choice but to live, so I think your best bet is to just learn how to suffer existence.” “The only way to really live within this is to embrace the fact that nothing matters,” Nyles tells his exasperated new partner in time. Sarah is drawn to Nyles’ seemingly free spirit, so much so that she ends up following him into the fateful time tunnel on the desert outskirts – and winds up trapped in the same day with him. “I know it’s sort of marketed as a rom-com, I’ve always thought of it as an existential comedy,” Milioti told Harper’s Bazaar. With her enormous eyes and frown, she looks like a Keane portrait trapped inside a “Live, Laugh, Love” print. ![]() Instead, the film pivots on Sarah (Cristin Milioti), the older sister of the bride and black sheep of the family – and the only person in attendance who wants to be at the wedding less than Nyles does. ![]() Related: War, royals and Dolly Parton in November streaming.His jaded acceptance of fate may as well be that of viewers blunting themselves on endlessly recycled content – the streaming giants’ very own infinite time loops. It’s fitting that director Max Barbakow’s Sundance hit, which was acquired for a record sum by US platform Hulu and is streaming locally through Amazon, opens with its protagonist in such an advanced state of cynicism.Īndy Siara’s screenplay acknowledges that the audience, like Nyles, will already be familiar with the stages of disbelief through which his character must progress, an element that’s been common to every Groundhog Day descendent from Happy Death Day to last year’s Russian Doll. Samberg produced the film with his Lonely Island partners Akiva Schaffer and Jorma Taccone. ![]() “Today, tomorrow, yesterday, it’s all the same,” says Nyles, decked out in a Hawaiian shirt and chugging beers with the cheerful nihilism of a man who’s long forgotten how he got here, much less cares.
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